Watch every brushstroke. Learn every color mix. Paint alongside a professional gallery artist who has been selling through top galleries since 1983.
You bought the nice brushes. You tried the limited palette. You followed three different YouTube channels and read two books on color theory. And every time you sit down to paint, something goes wrong between the reference photo and what ends up on your canvas.
The greens go flat. The shadows lose their depth. The sky looks chalky. You clean your palette, squeeze fresh paint, start over, and the same thing happens.
You are not lacking talent. You are lacking a teacher who shows you the entire process, from the first brushstroke to the signature, on paintings good enough to hang in a gallery.
Bill sold his first painting at 17. His favorite art school professor told him he was not as talented as the other students, but that he would succeed because he worked harder. Bill went on to sell through top galleries across the country for three decades: Broadmoor Galleries in Colorado Springs, Meyer Gallery in Santa Fe, Pam Driscoll Gallery in Aspen, Greenhouse Gallery in San Antonio.
His work hangs in private collections from Switzerland to Saudi Arabia. He won the Congressional Art Award and the Plein Air Salon Best Floral award. He completed an MFA in Painting while raising seven children with his wife Kristie.
In 2015, he brought everything he knew online. Over 48,000 artists from 100 countries have trained with him since.
Every painting Bill demonstrates in the membership has been purchased by a collector. You are not watching demos. You are watching real gallery work being created, brushstroke by brushstroke, with nothing edited out except the brush cleaning and cough breaks.
Some videos run seven hours. You see every color mix, every decision, every correction. It is the closest thing to standing in Bill's studio while he paints.
Each pillar builds on the last. Start with the foundations, move to full-length paintings, then join the live community for feedback and connection.
Landscapes, florals, plein air scenes. Each video shows Bill painting a piece that has been purchased by a collector. Videos range from 2 to 7+ hours. Nothing is cut except brush cleaning and paint replenishing. You see the entire creative process from blank canvas to finished painting.
Five weeks of progressive lessons that take you from "I just opened my first tube of paint" to confident, clean color mixing and basic composition. Each week builds on the last with clear exercises and application challenges. Your welcome email points you exactly where to start.
Running every month since 2015. Bill takes five member paintings, examines them in Photoshop, and walks through exactly what he would change and why. Dozens of members attend live. The replay library is available to every member. Critiques elsewhere cost $80 to $300 per session. Here they are included.
Every week, members join a live Zoom call to talk about painting, materials, upcoming shows, gallery sales, and whatever else is on their minds. Grandkids, health, travel, the joy of a brushstroke that finally worked. This is where friendships form across continents.
A dedicated course on painting outdoors in changing light. Covers setup, composition in the field, fast color mixing for shifting conditions, and finishing techniques. Application challenges at the end of each lesson. Members have called it "the best outdoor painting instruction I have purchased."
Two private groups: the original Facebook community and the newer Circles platform (with a mobile app). Members share work, ask questions, offer critiques, and encourage each other. Bill and his wife Kristie are active daily. You will not find a more supportive art community online.
These are the tools annual members get the day they sign up. Designed to close the gap between watching a lesson and actually improving at the easel.
These are just example free bonuses meant to increase conversion rates on your main offer. This has been the difference between getting a 1x breakeven for my clients and getting a 4x return.
A 32-page printable reference mapping Bill's exact color mixing formulas for the 12 most common landscape and floral subjects. Each spread shows the subject photo, Bill's finished painting, and the specific pigment combinations. Organized by subject so you can flip to the right page while standing at your easel.
A daily painting challenge designed for 15-minute sessions. Each day features one focused technique (loaded brush, dry brush, palette knife, blending, scumbling) with a simple exercise and a photo example from one of Bill's paintings. Includes a tracking grid and community sharing prompts.
A single-page reference (front and back) listing the 25 specific things Bill evaluates before considering a painting finished and gallery-worthy. Covers composition, value structure, edge quality, color harmony, focal point, and finishing techniques. Each item includes a "common mistake" callout.
Here's who built it, and why.
I run Facebook and Instagram ads for founder-led education businesses.
My clients are people like you: creators and educators who have built real audiences through years of hard work, great content, and word of mouth. They come to me when they are ready to pour fuel on what is already working.
I'm selective. The business has to genuinely help people, the customers have to love it, and I have to feel proud if someone found out I was behind the ads. Master Oil Painting checks every box.
Not hypothetical. Not from three years ago. These happened in the last few months.
Got a client onto the New York Times bestseller list. He had been chasing that goal on his own for over a decade. I built the campaign that finally got him there.
Generated nearly $1,000,000 in revenue through Facebook ads alone for a single client, in just 11 days. Same client, same product. Better strategy, better creative, better pages.
Ran a volunteer campaign for a live event. Sold out every seat at 3x ROAS. I did it for free because I believed in the event.
Launched ads in beginning of March 2026 and already grossed $26K in the last 30 days.
I don't charge if it's not profitable. That's not a tagline. It's been the deal for over eleven years.
I take a percentage of the growth I bring in, only after the math works. After ad spend. After your expenses. After my fee. If it's not profitable after everything is accounted for, where you make more than I do, I don't charge. That's why I only take on clients I'm confident I can deliver for. I never spend just to spend.
Facebook ads management is the core, but I also build the landing pages, create the ad visuals, and develop new bonuses designed to lift conversion rates on both the ads and the offer. Everything on this pitch page, the design, the copy, the bonus kit, is the kind of work I do for every client.
Every page, bonus, and creative asset I build is yours. Use it for organic traffic, email campaigns, wherever. No exclusivity clauses, no extra percentages. If something I made helps your audience through a channel I'm not running, that's a win.
This is one concept from a set of five. Open meta-ads.html to see the full campaign.
This is one concept. I have dozens more in the full campaign deliverable.
No pitch decks. No high-pressure calls.
Email Vincent vincent@growthninja.com